BUREAUCRACY AND THE DISPLACED | 2018 - Current
ASPECT RATIO | 2’ | experimental | 2020
Still shots from Aspect Ratio, 2’08”, Experimental | 2020
Synopsis
Visual artist Diana Halabi measures the scale of dictator Saddam Hussein - who her father was going to name her after - and compares him with the scale of her passport pictures. She visually explores the varying scales of systematic violence, with particular attention to the domestic (through monotonous repetition; chanting) and the relational aesthetics of hierarchies in history.
Screenings
Cairo Video Festival (Cairo), Shasha Movies: Women’s Revolt program (Online)
THE VISA REGIME BANNER
Ink on an outdoor banner, a collaboration with Afrang Nordlöf Malekian,
(part of open studios at PZI) | 2021
The banner “If a curfew violates freedom of movement, so does the visa regime.” placed on the emergency exit of Piet Zwart Institute, is a protest against the silence of European authorities towards the long-lasting curfew so-called the visa regime. This statement is a response to the current events taking place in the Netherlands and beyond, where a male-dominant discourse is critiquing the temporary curfew as a “violation of freedom of movement”.
If violated, what different meanings could “freedom of movement” have depending on whose mobility is affected? This question was the point of departure of this project. In the current Covid-19 pandemic, the government of the Netherlands has taken different measures to limit the spread of the Coronavirus. One of them is a curfew. When implemented, riots stormed the streets for a few nights. The debate went into court and initially, the Hague District Court called the curfew a “far-reaching violation of the right to freedom of movement and privacy”.
Only a few, mostly right-wing groups in the Netherlands, have addressed their opposition to the curfew as a violation of freedom of movement. Those are the same groups that usually push nationalistic agendas, reinforce strict Schengen visa regulations, and vote against facilitating easy access to migrants and refugees fleeing war and economic hardships.
The double standard of what freedom of movement means, makes us intrigued to ask, what does the European border regime do to freedom of movement when it fortifies its borders and treats newcomers as the “other” who is only welcomed if it serves as a commodity in a capitalistic society?
Diana Al-Halabi and Afrang Nordlöf Malekian
YOUR GUIDE TO TAKING BACK (TEMPORARILY) WHAT WE HAVE TAKEN FROM YOU (PERMANENTLY) | 2021
digital downloadable work | (part of Print& Play exhibition - Boijmans Museum) | 2021
In the age of “total bureaucratization,” a term coined by David Graeber, the mobility of people is tied to bureaucratic requirements and policies drafted precisely to limit and slow down freedom of movement. In this artwork, I use the image of Dutch right-wing anti-immigrant politician Geert Wilders within the format of a visa headshot specification, a document usually found on immigration websites. To place the face of the most xenophobic politician onto exemplary bureaucratic templates underscores the satirical thrust of the project, while exposing both the banality and the violence embedded in such requirements.